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Free Music Archive

by Camille Gévaudan

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music

,

free license

Framazic has currently three spaces: discover, learn, play

O n knows the association Framasoft commitment to free software, and the impressive array of tools, services and products that it invented and edits at all times… There are Framakeys, USB sticks come with a selection of free programs to do everything (or Wikipedia in off-line version), its Framapad, collaborative Editor, its Framabooks to buy or download… And here is that these enthusiastic activists add a rope to their already well-stocked arc, for the first time putting a foot in the world of music.

Launched Tuesday, Framazic is a portal dedicated to the promotion of free music. Nothing to do with Jamendo, Dogmazic or Free Music Archive, portals already existed for several years and offering a huge library of titles to listen to online or download for free. It is not here to compete with them by attracting other artists to disseminate other pieces. Like all projects Framasoft, Framazic wants to contact little savvy users problems of copyright and become their “gateway”, simple and pedagogical “free music”.

Musicians who would like to publish their works on the Internet by encouraging their sharing to gain notoriety, Framazic presents the different licenses available (Creative Commons, free Art…) and the legal steps to take. Music lovers looking for what fill their player, sound an evening without getting yell at Sacem’s or illustrate their YouTube videos, Framazic offers a list of labels and radio platforms where to find their happiness. And those who do not see the interest of this are warmly invited to visit the “learn and understand” for an introduction to the economy of music in Internet time.

“Free music remains poorly known even in the world of free software,” notes Martin Gubri, at the origin of the project. And these are not sites like Jamendo which capture the concept: “free music platforms provide little explanation, or worse, introduce knowingly or not confusion” speaking of “royalty-free” songs

Gold, “free music is not royalty-free. Royalty-free means that there is more copyright, so talking about the public domain. “This is not the case of this music on Jamendo: she is still under the copyright regime” but can be downloaded and distributed at will if it meets certain conditions (the name of the artist, (sometimes) do not make any changes…).

Long term, Framazic has a little expanding its mission and provide users “selection of music” for the ‘telling as physical media’, like the Framakeys and the FramaDVD. But “nothing is frozen, says Martin Gubri. Everything is possible on its development, so if you have a great idea, share it with us : »

Also on audio:

ITworld, framapodcast, our podcast with Alexis Kauffmann, founder of network Framasoft

Free Music Archive




Image courtesy of Thomas Fahy
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The Music Lover Will Begin By Back

Nothing of the kind, for a first visit, to borrow one of the yellow trams that criss-cross Budapest. Or better: walk to discover the city, listen to his babbling, feel his heartbeat. The music lover will begin by back the beautiful Andrassy, local, to arrive at the Opéra national Champs-Élysées avenue, Italian Renaissance style building, inaugurated in 1884. It is between by a box portico of two iconic statues of Hungarian music: right, Franz Liszt; on the left, Ferenc Erkel. The name said it nothing? It is yet here revered. He is the author of the national anthem, but especially the Hungary the most popular opera composer: his fiery, powerful music in the Italian style, made somehow the Hungarian Verdi. His major work, Bank Bán, was chosen for the inauguration of the Opera and is renewed each year with the same enthusiasm as Hunyadi Lazlo, an epic high color seen by Hungarians as their Nabucco.

Should absolutely see a show at the national Opera: first because the theater is a jewel, but also because the troupe is an excellent level. We meet then in face, the documentaries coffee, coffee artists, founded in 1898, and that has not changed: low-key décor, yellow walls, old photos. Around a glass of amber tokay, it commented on the show. The tradition of coffee is very rooted in Budapest. What the Turks who opened the first drinking places during their occupation of the Hungary in the 17th century. But the golden age of Hungarian coffee date from the 1890s: conditions deplorable housing preventing to invite friends home, coffee houses became places of encounters and favorite exchange of the inhabitants of Budapest. One of the most famous of the city is the New York Café, said that it is the best coffee in the world. Opened in 1884, transformed and debaptise during the Communist period, now restored in the splendour of his amazing baroque tempered Art nouveau décor, he was, in the early 20th century, the sanctuary of the writers of the new Hungarian literature. The other passage in Budapest is Café Gerbeaud, Vörösmarty square: this is on enjoying the best pastries, accompanied by a famous hot chocolate…

Returning on Andrássy avenue in the direction of the place of the hero, it is a yellow building in the heart of the inhabitants of Budapest: this is on the first floor, experienced the hero of Hungarian classical music, Franz Liszt. The apartment where he was regularly between his ceaseless travel across Europe is full of treasures that are traces human, intimate life of Liszt. In particular, his working cabinet where he liked to compose on a surprising “Office-piano” that he had been making ad hoc. Inside of this Office, in front, is inserted a sliding keyboard that allowed him to try an idea immediately before discharging it on the paper. His bed also is retained, where you explained modestly, he rested… In fact, his father had seen the future of the young Franz when, at the time of death, he told his son, at the age of 16 years: “I fear for you the women: they upset your life, and the domineront.»”. Women, it is true, have relied heavily in the life of Liszt. They dominated his life? Perhaps not. Troubled? Certainly. As if her long affair with Marie of D’agoult, who gave him three children, has contributed to its stability, it is also left to take in the vortex of a few other less relaxing – famous dancer Lola Montes to the great tragic actress Charlotte von Hagen, who wrote poems that it was as soon as music and that he had to leave a singular remember car, several years after, it will to write: “You have spoiled me all other men;” “none can compare: you are the one.”

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Have Nothing To Do With The Music

Milan, July 11. (Afpenglish)-Sale fever for Adriano Celentano. This morning, in fact, have been pulverized in a matter of minutes 10,000 tickets for the two concerts that former Resilient take place at the Arena di Verona, the 8 and 9 October. The two shows marked the return of Hadrian: dates back to 18 years ago his last live performance, last leg of the tour in 1994. On that occasion the milanese artist’s performance was broadcast live by Rai and was followed by nearly 8 million viewers, a record result.

Years pass, but the appeal of Castro remains. The circuit Ticketone, explained that there were 20,000 unique users connected simultaneously by 11 this morning, start time of sale. A figure which, according to the same Ticketone, represents the sales record for all concerts of the year, including those of international artists.

To promote the race ticket contributed the idea to sell a lot of tickets for the price of one euro. “It is a symbolic choice,” said Claudia Mori spoke to Rtl 102.5-. We were in ‘ 68 we talked about political price, and in practice it is. Actually a tickets are 6,000 euro for a night and 6,000 for each other, then there is the audience: anyone who has money to spend is right that pay-he added, and it is right to meet those who did not, practically and not pretend “.

Then some anticipation about the show. “I sing with Adriano? Not joking-said the Mori-, artistically are an Ant to his comparison. The songs that will? Those who feel most of his repertoire. Then there will be the most important of the last five albums and she never sang in public “. Finally an indiscretion on the guests: “will there be Gianni Morandi which will do a Duet with Adriano in both the shows concluded the Roman singer-, then there should be a few strange characters that have nothing to do with the music, but still nothing is safe”.

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Best Of Music

Nothing of the sort with Benjamin, who composed a music to both enchanting and sensual, perfectly built on time and strongly contrasting tables. It follows the frame without difficulty, but its permanent color changes the preserve of any monotony. The amazing text of Martin Crimp, the very film canvas, is still intelligible, while the vocal line takes refuge in a permanent recitative. In short, it seems that Benjamin had studied all the pitfalls posed by gender to better thwart.

The fact that the characters are narrators of their own history allows a depth of field which staging wonderfully readable Katie Mitchell tire all ­possible party. Geometric mastery of ­l’ space does justice to the temporal jumps between now and the middle ages that characterize this history cruel and initiation, where a book has the power to reveal and change the destiny of human beings.

At the head of a Mahler Chamber Orchestra formidable virtuoso, composer to the baguette is the best servant of his own music (this is not always the case!), and the distribution is perfect: Barbara Hannigan is once more fascinating with its serpentine voice which is wrapped around you, countertenor Bejun Mehta is not less enchanting by the reflections iridescent his stamp, and Christopher Purves is terrifying brutality. A great moment of contemporary opera? A great moment of short opera.

Until July 14. Broadcast on Arte Live Web and Medici TV, July 14, France music, August 27.

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I Knew Nothing Of His Music

But it must also to his damn harmony Treaty. Geoffroy Jourdain, Chief of the Cree of Paris, has recorded the lost paradise. He remembers his first meeting with the team of the Palazzetto. “When they told me that they had thought about us for Dubois, I’ve smiled.” Like everyone else, I knew nothing of his music. I did that the painful memory of these hours to investigate its Treaty, which teaches harmony as it learned the history or geography in the early century dernier.» Yet he and his singers were quickly seduced by the richness of invention of his music. “Not that it is free of naivety or more innovative than a Debussy, but, unlike the choral music of many future composers, it is full of a multitude of ideas cleverly organized.” For Dratwicki, this wealth of invention is “nothing surprising on the part of those who taught composition at Guy Ropartz or Florent Schmitt”.

All the great teachers are not musicians. Alexandre Dratwicki knows, that “Dubois engineering” is unanimously recognized, the road is still long. Matter of time, hopefully. “Those that still challenge the legitimacy of Dubois are often unable to cite a single one of its titres.».” It gives them an appointment in a few months, after the publication of his Symphony No. 2. In the end, the composer would watch “of color falls.” that same Strauss or Wagner would not osées

Festival Théodore Dubois in Venice, until 27 May. Int: www.bru-zane.com

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